There is no reason to get irritated when mediocrity triumphs; that’s what the Oscars are for. Of all the movies that have won Best Picture there’s really only about 3-4 that actually rank among the best of American film. The last 15 years, starting with Forrest Gump, have been particularly egregious. Now let’s dish.
Kate Winslet looked outstanding.
Tilda Swinton now occupies a nice of androgyny that even Annie Lennox would envy. She had no tits!
Freida Pinto was also totes beautiful. Asymmetrical haute couture sari. Rad.
Penelope Cruz is really hot but I don’t get the appeal of looking like a bride.
Meryl Streep had a cottage cheese stomach under that bland dress. Sophia Loren looked like a Superfund site.
Jessica Biel looked like an ugly Evangeline Lilly in something Vanna White would wear on a Tuesday.
Natalie Portman might be the worst actress around but she’s very pretty.
Sarah Jessica Parker grosses me out. Matthew Broderick is fat.
I actually liked what Miley Cyrus was wearing. I hope she’s in on her own joke.
Amy Adams‘s necklace was totally hot. At first I thought it was dumb to wear a dress the same color as the carpet but maybe she’s cool like that.
Beyonce is kind of in her own category. I just don’t think it’s tenable to dismiss her in any way.
Anjelica Huston is arch-fabulous but she sort of looked like she was in character for a third Addams Family movie.
Marisa Tomei doesn’t age.
The only word for Viola Davis is radiant.
I honestly have no feelings toward Angelina Jolie whatsoever. I don’t feel the glamour and I don’t care how many kids she adopts or how quickly. Joan Rivers called her lips “an inflamed anus” and I can’t think of anything to top that. Brad Pitt is starting to look a little busted.
Josh Brolin is a babe. He’ll always be a Goonie to me.
I would bottom for Daniel Craig at a moment’s notice.
Ryan Seacrest is going to be a fixture at everything for the rest of our lives.
Mickey Rourke looked like he had some real trouble dressing himself after lavishing all those years in isolation, making Chinese Democracy. He tacked more crap on himself than a Latin American military dictator reviewing troop formations.
*********************************** Milk
I’m glad for Sean Penn but Dustin Lance Black is gross! Religious gay people possess an alarming selective blindness. They can go through their lives with the knowledge that virtually everything monotheistic religions have to say about sex–especially the kind of sex they like to have–is wrong, but somehow they still believe in the bearded cloud who watches over us.
And the way in which DLB, like many gay “persons of faith,” pompously brandished his religiosity in a way that is “moving” and “poignant” was tedious. There was no mention of how or why a gay person should embrace God in the first place, just a mild celebration of his declawed deity and Black’s own painful adolescence. Yawn. It’s like this piece in today’s Times, which goes out of its way to state the obvious and unnecessary point that no church should have to recognize any federal same-sex marriage. As if that were the issue with marriage, ever.
Just as when middlebrow films “speak to” some important issue and leave their sentimental paws all over it, Dustin Lance Black’s speech will probably be taken by boring homos and by the gay-tolerant public as some kind of landmark oration. Even though he didn’t advocate anything or advance any intellectually cogent way to reconcile his sexuality with his religion, he probably played a major role in normalizing deviance, at least to people who believe in the transformative power of commercial movies and who assume the road to equality runs through an awards show. “Touching upon” the issue by mentioning it is sufficient.
I can’t think of a better example of the Death of the Author, or the complete disconnect between a text and its authorial intent, than between Black and Milk. Milk was way more progressive than people are giving it credit for. Harvey Milk slept with boys he pulled off the street and put them to work in his campaign. That’s amazing, and the film didn’t shy away from it. The specter of the sexual faggot, unlike images of neutered public homos like the guys on Queer Eye, remains transgressive.
Dustin Lance Black’s acceptance speech and Milk‘s general reception remind me of another dynamic. It gets under my skin when people refer to my boyfriend as my partner after I just used the word boyfriend. Because while they’re telegraphing their facility with being around gay people and their gay relationships, and they want me to know that they respectfully believe my love for him deserves the same dignity as anyone’s love for anyone else, the word boyfriend still makes people uncomfortable. It suggests kissing and possibly fucking, and people prefer to desexualize the bestowing of dignity.
Get over it, people. We fuck. And get over it, Dustin Lance Black. There’s no God. And your movie wants to be our boyfriend but you, your God and the movie-going public who share your belief in Him want Milk to be our husband.